If trees and moss were bound and stitched to a forest
floor
Like pages to leather covers;
Nature would be a narrative, like an open book,
Spine aligned with front and back pages,
Leaves slightly bowed up from the center
Or flipped backwards and forwards in a light wind.
Days would be marked on the pages and ordinary things
would
Drive the action:
a tree might lose a limb; a fox might catch a rabbit.
As actions become a plot, sometimes on stage,
Sometimes behind the foliage,
The number of characters would be endless,
And on the surface all would appear as a setting where
Only the most obvious plots could be read.
A narrative assumes detail; leaves it hidden between the
lines,
Sums it up in a word or a sentence, ignores what is
presumed irrelevant,
Because only the largest plots can be discerned
While swarms of the smallest bits and pieces that
Assemble, disassemble, and reassemble,
Create subplots that virtually appear and disappear.
If a writer were to capture a bit of it, and
Another writer were to capture another bit of it,
Would the sum of the plots and subplots of all the
writers create a universe,
Like a Borges Library, or would it always be incomplete,
Like an alphabet of infinite characters with something
always outside of it?
© cmheuer,
2013
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